|
THEATER OF POPULAR ORALITY
Our way to tell stories goes homes, on tables, beside beds, as you had always known us, because we take with us voices, songs and stories collected from witnesses of big traditions, which were handed down orally.
'Memory, orality, tradition: these are the conditions for existence and survival of a myth. Even today, a poem does not exist unless it is recited, you must know it by heart, to give it real life. A myth is not alive if not yet told from generation to generation, during the daily life. If relegated in libraries or fixed in written form, it could be modified for an elite of mythology specialists. A myth is an ancient story existing before any narrator has begun to tell it. Thus, the mythical tale does not depend on personal invention or on creative fantasy, but on transmission and memory "
Jean-Pierre Vernant
|
 Theatre's House
In a society where the need to communicate has led us toward the unification of languages, gestures and habits, the rediscovery of memories is a human experience desirable to protect a culture described by objects, customs, expressions and emotions almost disappeared.
Read more...
 The Kunto of ReMiseriaRe
A work of individual and collective narration: Life and Death, incestuous brothers, sons of an infection creating and matching them in an old story, with the sound support of Neapolitan, such a corporeal dialect. From the voice of Greek-speaking narrators, until the reinvention of Professor Roberto Tessari, the two parties of this diptych can be both, recovery and innovation.
Read more...
|
Benino's Dream
The crib between tales and oneiric traces
A poetic and funny plot where the Holy Family’s Story intertwines the everyone’s daily lives. So, here is the land made of cork and musk, shepherds and Magi, stories confusing holy and daily, until it is possible to see baked clay characters, between uncles and cousins, some of these ... or doing the same jobs of these ones: fishmonger, shoemaker or washerwoman.
Read more...
|
|
|
|
|
