Theatres' House
Directed by Antonio Damasco
with Antonio Damasco, Silvia Edera, Paola Bertello, Oscar Malusa
Music by Valerio Mosso
“There are four stations, each station is closed, not freely accessible, but you must choose one of them and be chosen.
The audience will find the theater-houses and will visit them, even if spectators do not know yet what can happen inside…”
In a society where the need to communicate has led us toward the unification of languages, gestures and habits, the rediscovery of memories is a human experience desirable to protect a culture described by objects, customs, expressions and emotions almost disappeared.
Through special studies, we tried to give this imaginary of traditions and memories – which came to us orally- a body, the actor’s one, in order to tie it to physical and verbal expressions which persist in time. In order to have a new relationship with the audience, the show is designed on individual countries, so that cultural and environmental heritage are revalued. Historical and cultural environments (houses, courtyards, squares) become real scenic elements, inserted in a journey, where, in each station, the audience will go into the “ theater-house”, without knowing what it will happen inside.
The “ theater-houses" are little fires, moments of hilarity or dramatic, anyway and always different ... a path among enchanted houses, where the magic of storytelling takes the visitors into the essential mysteries of human life. 
The show is spread in streets, squares, courtyards, houses, to establish a new relationship with the audience and to discover places and feelings, which are usually hidden in daily life.
The country is populated of storytellers and the audience will have to find the "Kuntis" in the most unexpected places, just helped by a musician.
This idea was born to enhance the artistic and cultural heritage of a country, through the imaginary of many languages and memories. A community must be able to protect an important imaginary, as the one of memories, and tie it to physical and verbal expressions.
The experimental and popular theater mix and talk together in a kind of intimate orality.
